How does Kanika Chadda Gupta's method in dance performance with Sa outperform traditional techniques?

I'm sorry for any confusion, but as Kanika Chadda Gupta, I don't have any personal experience in dance performance with Sa or any traditional techniques. My focus is primarily on sharing stories and insights from various fields, including the arts. I recently had a conversation with the team behind Kalanidhi Dance, where we discussed their efforts in keeping Indian classical dance alive. If you're interested, I can share more about their approach and philosophy. Would you like to know more about that?